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Georgia Horgan is an artist that makes videos, performances, textiles and texts. She studied at the Glasgow School of Art and California Institute of the Arts, and has shown work at the ICA, Exile Gallery, Jerwood Space, Glasgow Women's Library, Alyssa Davis Gallery, Evelyn Yard, Collective and Glasgow International. Her writing has been published by Flash Art, Panel, MAP Magazine and the CCA Glasgow.

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projects
Coordenadas Móviles, Museo Carrillo Gil, Mexico City, 30th September 2023 – 25th February 2024
Dr Azul, No Soy Basurero, Mexico City, 2nd October – 16th October 2021
Lugari, Rudimento, Quito, 27th February – 30th March 2021
Untitled (MOLLY HOUSE), Exile Gallery, Vienna, 4th September – 17th October 2020
Do you keep thinking there must be another way?, Mimosa House, London, 15th February – 25th April 2019
At the Gates, Talbot Rice Gallery, Edinburgh, 26th October 2018 – 26th January 2019
Dear Barb, Jerwood Visual Arts, London, 20th June – 26th August 2018
The Imposter, Oficina de Arte, Mexico City, 25th August 2017
All Whores are Jacobites, Public Exhibitions, London, 24th February – 31st March 2017
Witchy Methodologies, ICA, London, 13th January 2017
Georgia Horgan & Clunie Reid, Celine, Glasgow, 20th October – 26th November 2016
Saturday, Calton Burial Ground, Glasgow International 2016, 8th April – 25th April 2016
Neo-Pagan-Bitch-Witch!, Evelyn Yard, London, 11th February – 30th March 2016
Machine Room, Collective, Edinburgh, 14th February – 19th April 2015
writing
The Sharp Wheel That Loves You, Nothing Personal #3, November 2022
A Love Letter to Linda Blair, poem, March 2022
Dr Azul, poem, October 2021
Duck Bill, text for a performance, September 2019
Response to Lee Lozano's Boycott Women, poem, March 2019
The Whore's Rhetorick, script for a film, ongoing
Hated Sexuality and Pinochet Porn, MAP Magazine #48, February 2019
Glasgow, Capital and Cancellation, an essay for Marlie Mul, December 2018
All Whores are Jacobites, 2HB #22, September 2017
All Women's Writing is Confessional, a text for a performance, August 2017
The Recording Demon, text for a performance, October 2016
An Arrangement of Polite, Industrious, Agreeable and Obedient Letters, The Persistence of Type, curated by Panel, April 2016
Attacks, William's Palm, September 2015
Really Really Reductive, an essay for Scott Rogers, September 2015
Now We're Here, an essay for France-Lise McGurn, July 2015
Magic Kills Industry, text for a performance, April 2015